Saturday, July 31, 2010
Friday, July 30, 2010
Fretful Friday
With Paul on lead and rhythm guitar and with no bass track at all, "I've Just Seen A Face" was definitely a departure from the Beatles norm in 1965. It's also the first all-acoustic song that the Beatles recorded.
It has remained one of Paul's favorites, as evidenced by the number of times he has played it on solo/post-Beatles tours and performances. With Paul playing an Epiphone Texan FT-79 acoustic guitar, here is the remastered version of the original recording.
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It has remained one of Paul's favorites, as evidenced by the number of times he has played it on solo/post-Beatles tours and performances. With Paul playing an Epiphone Texan FT-79 acoustic guitar, here is the remastered version of the original recording.
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Thursday, July 29, 2010
Thought for Thursday
Last night, PBS aired the all-star concert heralding Paul McCartney as the latest recipient of the Gershwin Prize. The Library of Congress Gershwin Prize for Popular Song is an award given to a composer or performer for their lifetime contributions to popular music. This is only the third Gershwin Prize to be awarded, the first two being presented to Paul Simon and Stevie Wonder. Making it even more special for Paul to win this esteemed award is his memory of his father playing Gershwin compositions for him on the piano when Paul was young.
Included in the line-up of performers who paid tribute to Paul McCartney were the Jonas Brothers, Dave Grohl, Stevie Wonder, Emmylou Harris, Faith Hill, Elvis Costello, Jack White and Sir Paul himself, who brought his Hofner bass out again to share the spotlight - the same Hofner bass he played on the Ed Sullivan show in 1964 and during the Beatles rooftop concert in 1969.
President Obama presenting Paul with the award
My personal favorites of the evening:
Elvis Costello- Penny Lane
Jack White- Mother Nature's Son
Dave Grohl- Band on the Run
And our Thought for Thursday - Paul, on performing "Ebony and Ivory", a duet he recorded with Stevie Wonder in 1982:
"One of the highs was singing Ebony and Ivory with Stevie because we'd never done it live together, so that was great. To sing it live together for the very first time with the first black president there, it suddenly gave a great significance to the song."
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Included in the line-up of performers who paid tribute to Paul McCartney were the Jonas Brothers, Dave Grohl, Stevie Wonder, Emmylou Harris, Faith Hill, Elvis Costello, Jack White and Sir Paul himself, who brought his Hofner bass out again to share the spotlight - the same Hofner bass he played on the Ed Sullivan show in 1964 and during the Beatles rooftop concert in 1969.
President Obama presenting Paul with the award
My personal favorites of the evening:
Elvis Costello- Penny Lane
Jack White- Mother Nature's Son
Dave Grohl- Band on the Run
And our Thought for Thursday - Paul, on performing "Ebony and Ivory", a duet he recorded with Stevie Wonder in 1982:
"One of the highs was singing Ebony and Ivory with Stevie because we'd never done it live together, so that was great. To sing it live together for the very first time with the first black president there, it suddenly gave a great significance to the song."
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Wednesday, July 28, 2010
Whatsoever Wednesday
Chris Farley "interviews" Paul McCartney:
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Tuesday, July 27, 2010
Testimonial Tuesday
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Monday, July 26, 2010
Monday Minutiae
What exactly does "Helter Skelter" mean, anyway?
Well, first, to start at the beginning..
Paul wrote the song after reading a magazine article about The Who's newest single, called "I Can See For Miles".
In Paul's words:
"Umm, that came about just 'cause I'd read a review of a record which said, 'and this group really got us wild, there's echo on everything, they're screaming their heads off.' And I just remember thinking, 'Oh, it'd be great to do one. Pity they've done it. Must be great — really screaming record.' And then I heard their record and it was quite straight, and it was very sort of sophisticated. It wasn't rough and screaming and tape echo at all. So I thought, 'Oh well, we'll do one like that, then.' And I had this song called 'Helter Skelter,' which is just a ridiculous song. So we did it like that, 'cuz I like noise." ~ Paul McCartney
Critics tended to like the song, although one did say that the song will "scare and unsettle" listeners, due to its "undercurrent of violence" and Paul's "savage vocal delivery."
We all know that Charles Manson misunderstood the intention of the song, though I'm going to leave Manson out of this, because *he* is scary and unsettling.
Back to the question of what does "helter skelter" mean? Well, some people use it as a way to say that something is in disarray or chaos - "the clothes were flung about all helter skelter" for example. There is also an amusement park attraction called "Helter Skelter" which seems to be referenced in the first verse of the song, literally or otherwise:
"When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again"
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Well, first, to start at the beginning..
Paul wrote the song after reading a magazine article about The Who's newest single, called "I Can See For Miles".
In Paul's words:
"Umm, that came about just 'cause I'd read a review of a record which said, 'and this group really got us wild, there's echo on everything, they're screaming their heads off.' And I just remember thinking, 'Oh, it'd be great to do one. Pity they've done it. Must be great — really screaming record.' And then I heard their record and it was quite straight, and it was very sort of sophisticated. It wasn't rough and screaming and tape echo at all. So I thought, 'Oh well, we'll do one like that, then.' And I had this song called 'Helter Skelter,' which is just a ridiculous song. So we did it like that, 'cuz I like noise." ~ Paul McCartney
Critics tended to like the song, although one did say that the song will "scare and unsettle" listeners, due to its "undercurrent of violence" and Paul's "savage vocal delivery."
We all know that Charles Manson misunderstood the intention of the song, though I'm going to leave Manson out of this, because *he* is scary and unsettling.
Back to the question of what does "helter skelter" mean? Well, some people use it as a way to say that something is in disarray or chaos - "the clothes were flung about all helter skelter" for example. There is also an amusement park attraction called "Helter Skelter" which seems to be referenced in the first verse of the song, literally or otherwise:
"When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again"
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Labels:
Helter Skelter,
Minutiae,
Monday,
Paul McCartney,
The Who
Sunday, July 25, 2010
Saturday, July 24, 2010
Sex-Appeal Saturday!
Friday, July 23, 2010
Fretful Friday
With its descending chromatic bassline, Dear Prudence is a favorite amongst many - written by John in India for Prudence Farrow (Mia's sister) because she was so fanatical about her meditation that she became a recluse and wouldn't socialize with the others. Upon learning of the song (George told her about it as they were leaving India) she said that it was a very beautiful thing for them to have done and that she was flattered.
Ringo had left the band prior to the recording of Dear Prudence, so Paul had to fill in for him on drums. In addition to playing bass and drums on the song, he also sang backing vocals, provided handclaps and played the tambourine and flugelhorn.
Prudence Farrow in Rishikesh, India
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Ringo had left the band prior to the recording of Dear Prudence, so Paul had to fill in for him on drums. In addition to playing bass and drums on the song, he also sang backing vocals, provided handclaps and played the tambourine and flugelhorn.
Prudence Farrow in Rishikesh, India
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Thursday, July 22, 2010
Thought for Thursday
Wednesday, July 21, 2010
Tuesday, July 20, 2010
Testimonial Tuesday
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Monday, July 19, 2010
Monday Minutiae
In the movie A Hard Day's Night, the Beatles are accompanied by Paul's grandfather Wilfrid Brambell (not actually related to Paul in real life). In various parts of the movie, he is referred to as being "very clean". What makes this so funny is that in the UK, Wilfrid was best known for his role on the BBC television program Steptoe and Son, which features a running joke of Wilfrid's character Albert being referred to as a "dirty old man".
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Sunday, July 18, 2010
Sunday Silliness
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Saturday, July 17, 2010
Sex-Appeal Saturday!
Friday, July 16, 2010
Fretful Friday
In 1969, Paul dug out his 1963 Hofner bass for the Beatles rooftop concert.
The sticker at the top of the bass says "Bassman".
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The sticker at the top of the bass says "Bassman".
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Labels:
1963 Hofner,
1969,
Fretful,
Friday,
Get Back,
Paul McCartney,
rooftop concert
Thursday, July 15, 2010
Thought for Thursday
Wednesday, July 14, 2010
Whatsoever Wednesday
Hey there, Paul.
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Tuesday, July 13, 2010
Testimonial Tuesday
Matchbox 20 - She Came In Through the Bathroom Window
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Monday, July 12, 2010
Monday Minutiae
After Paul's song Penny Lane was released, the street sign at the real Penny Lane in Liverpool disappeared. It was replaced numerous times, but it never remained there long. Eventually, they just started painting the street name on the buildings.
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Labels:
Minutiae,
Monday,
Paul McCartney,
Penny Lane,
street sign
Sunday, July 11, 2010
Sunday Silliness
Press: Recently there has been an article published in Rolling Stone magazine stating that Day Tripper was about a prostitute, and Norwegian Wood was about a lesbian. What was your intent when writing these songs?
Paul: We were just trying to write songs about prostitutes and lesbians.
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Paul: We were just trying to write songs about prostitutes and lesbians.
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Saturday, July 10, 2010
Sex-Appeal Saturday!
Friday, July 9, 2010
Fretful Friday
A very young Paul and his Hofner.
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The double-tracked guitar solo in the song "And Your Bird Can Sing" (played by Paul McCartney and George Harrison) ranked #69 on the Rolling Stone magazine's "100 Greatest Guitar Solos" list.
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Labels:
And Your Bird Can Sing,
Fretful,
Friday,
Hofner,
Paul McCartney
Thursday, July 8, 2010
Thought for Thursday
Wednesday, July 7, 2010
Whatsoever Wednesday
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